In the house of God, a man who does not believe in God unravels the mystery of a priest’s death. During Good Friday services, a priest was stabbed to death in a small room where no one was supposed to be able to enter. There was only one entrance and exit. There were witnesses. And—logically speaking—the crime was impossible. Benoît Blanc, the famous detective with flowing white hair, steps into the darkness of the Gothic cathedral. His partner is a young priest struggling with a crisis of faith. Only these two “heretics” can reach the truth hidden within this locked room. The final installment of the trilogy was crafted by director Rian Johnson. This is not merely a mystery, but a profound and beautiful exploration of human confession and forgiveness.

At first, I thought it was a black-and-white film, but the images became more beautiful in the second half. It was a Disney-like film based on children's literature.

The way the initially innocent and dainty protagonist becomes the exact opposite character while suffering for acting is one of the most amazing things.