Movie India
Brahmastra Part One: Shiva “A grand spectacle where myth and modernity intersect.”

Score 2.8

Brahmastra made history as the first Indian film to debut at #2 on the US box office chart. This epic superhero fantasy brings ancient Indian mythology into the modern world. Director Ayan Mukerji spent 11 years creating this first part of a trilogy, using Hollywood-level visual effects and a star-studded cast to deliver a unique Indian cinematic experience. Even with its long 167-minute runtime, the story about Shiva’s growth and the power of love keeps viewers engaged. Some weak dialogue and a familiar romantic plot hold it back from perfection, but as a showcase of Indian cinema’s technical progress and creativity, it is sure to be remembered.

Title
Brahmastra Part One: Shiva
Original Site
https://www.primefocusstudios.com/projects/brahmastra-part-one-shiva

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Director
Cast
Shiva

Actor: Ranbir Kapoor

The protagonist. Having lost his parents at a young age, he lived as an ordinary young man until he learned he was the one who housed the flame of Agniastra, and was swept up in destiny.

Isha Chatterjee

Actor: Alia Bhatt

The woman who meets Shiva, understands him, and supports him. Her relationship with Shiva in the story influences his growth and destiny.

Junoon

Actor: Mouni Roy

Among the factions seeking to harness Astra's power, they stand in opposition to Shiva.

Raghu aka 'Guruji'

Actor: Amitabh Bachchan

Ancient sage and leader. Serves as guardian of astral realms, power, and knowledge. One of Shiva's guides.

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  • The visual spectacle since Baahubali 2 - Hollywood-level visual beauty created by over 1,000 VFX staff
  • Natural and Beautiful VFX - Achieving Hollywood-level quality without relying on gimmicks
  • The Philosophy That “Love Is the Strongest Force” - A Modern Retelling of the Spirituality of Indian Mythology

Summary

Shiva, a lonely young man living in Mumbai, experiences a vision of an unknown scientist being attacked. As he pursues this mystery, he learns of the existence of the “Astras,” ancient divine weapons passed down through the ages, and the ultimate “Brahma Astra.” Eventually, it is revealed that Shiva is the savior imbued with the power of fire, bearing the mission to save the world from the brink of destruction.

Brahmastra Part One: Shiva | Prime Focus Studios

The Indian film Brahmastra is the result of director Ayan Mukerji’s 11-year vision. It goes beyond entertainment and stands as a landmark that signals a new era for Indian cinema.

The film stands out for its modern take on the ancient Indian myth of the Brahmastra, the ultimate weapon of creation, reimagined as a superhero story. It is not just a copy of Marvel movies. Instead, it boldly brings back the Indian idea that “Love is the ultimate power” and sets the stage for its own unique cinematic universe.

Visual Revolution and Cultural Significance: A Historic Turning Point for Indian Cinema

One of the most essential things about Brahmastra is its stunning visuals, which haven’t been seen in Indian cinema since Baahubali 2. The credits list over 1,000 VFX staff members who worked on the film, highlighting the extraordinary technical effort behind it.

The way the film shows the Astras, or superpowers, is imposing. Elements like fire, water, and light are brought to life with unique colours and movements, giving the film a fresh style similar to the Stand battles in JoJo’s Bizarre Adventure. Unlike the usual flashy effects in Indian movies, Brahmastra achieves a natural look that matches Hollywood standards. This change is truly groundbreaking.

But the film’s real value lies beyond its technical achievements. While RRR showcased the strength of Telugu cinema from South India, Brahmastra highlights the creative power of Bollywood from North India. Director Ayan Mukerji’s 11-year vision has created a film that is deeply Indian but also appeals to audiences everywhere.

The Birth of a New Era in Indian Cinema

From its locations and colour palette to its character designs, everything is rooted in authentic Indian identity while simultaneously achieving a universality that resonates with global audiences. This film eloquently demonstrates that Indian cinema has reached a level where it can stand shoulder to shoulder with Hollywood, both technically and creatively. This transcends mere advances in visual technology; it is a cultural event heralding a new era for the entire Indian film industry.

Real-Life Married Couple as Lead Duo with Star-Studded Supporting Cast

One of the main highlights is that the lead actors, Ranbir Kapoor and Alia Bhatt, got married during the making of the film. Alia Bhatt, who also stood out in RRR, is now considered Bollywood’s top actress and is praised in this film for her striking beauty, often called “CG-like gorgeous.”

Bollywood stars Ranbir Kapoor and Alia Bhatt marry in Mumbai. Popular Bollywood stars Ranbir Kapoor and Alia Bhatt were married on Thursday in a private ceremony at their Mumbai residence.

Story: Prologue to a Trilogy Reviving the Philosophy of Love for the Modern Age

Brahmastra spends a large part of its 167-minute runtime on the romance between Shiva and Aisha. Many reviews mention that “30 minutes are spent solely on the two expressing their feelings.” This focus may be intentional, aiming to powerfully convey the film’s central message: “Love is the greatest power.”

A Return to Indian Cinema Tradition with a Modern Interpretation

The long focus on romance is a deliberate nod to classic Indian cinema traditions. The love scenes, which feel like old Disney musicals, might seem “a bit long-winded” to today’s viewers. For Japanese audiences, the way Shiva and Aisha go from meeting to falling in love may come across as “two people who aren’t quite connecting, a bit awkward.”

Yet this may be precisely the Indian way of expressing love. While a classic romance beginning with love at first sight might feel dated, it embodies the core idea that “love is not a matter of reason, but a force of destiny.”

AI-generated image

The Birth of an Indian Cinematic Universe

The actual value of this film lies in taking the first step toward building a grand universe akin to the Marvel Cinematic Universe (MCU). Just as the MCU began with the imperfect yet groundbreaking Iron Man, Brahmāstra marks the commemorative starting point for the Indian mythological universe, the “Astraverse.”

A Clear Roadmap for a Trilogy

The most significant difference from the MCU is that Brahmāstra has a clear, predefined completion plan from the outset. A concrete schedule has already been announced, with the second instalment, Brahmāstra: Part Two – Dev, slated for release in December 2026, and the third film in December 2027.

It’s fascinating that the second film will focus on Dev, Shiva’s father, who is the story’s biggest mystery. Learning about his past, why he released the Brahmastra, and his intense fight with his wife, Amrita, will add more depth to the trilogy.

Summary: An Imperfect Yet Historic Film

Even though Brahmastra is a big-budget film that took 11 years to make, its most significant weakness is the dialogue. Many lines are clichéd or too obvious, which doesn’t fit the film’s impressive visuals and mythological world-building, and this detracts from the film’s overall quality.

Still, the film’s historical importance and the fresh cinematic experience it brings make up for these flaws. Indian cinema is clearly entering a new golden age. Brahmastra has made its mark as a cultural milestone, showing the world that Indian films can now match Hollywood in both technical and creative ways.

“This is a once-in-a-lifetime cinematic experience and the dawn of a new era for Indian cinema.” Why not see the start of this grand epic, shaped by the power of love and mythology?

Review Site Scores

Brahmāstra: Part One – Shiva (hereafter “Brahmāstra”) is an ambitious project that brings elements of Indian mythology into the modern era, tackling the series concept of large-scale visuals and constructing a “cosmic universe (Astraverse)”. While its sense of scale and visual impact possess undeniable appeal, it is a complex work that divides opinion regarding its “story”, ‘screenplay’, and “character portrayal”.

Divergence Between Critic and Audience Scores

Critic Scores

  • Rotten Tomatoes (Critics): 47% — Reviews are mixed. While many critics acknowledge its “grand vision,” “visual design,” and “world-building,” they are harsh on its weak script and structure.
  • Metacritic: 57/100 (Mixed/Average) — Opinions are divided among critics, with few high ratings; the consensus is “not bad, but not perfect.”
In Indian domestic reviews, some praise it as an “ambitious attempt” with “visual and action highlights,” but many also point out “weak scripting” and “rough dialogue and direction.”

Audience Ratings

  • IMDb: Approx. 5.6/10 — Global audience reviews are divided. Notable comments include “High praise for VFX and visual design,” but “Disappointment with script, dialogue, and narrative coherence.”
  • Rotten Tomatoes (Audience): 68% — Many viewers enjoyed the visual spectacle and entertainment value, with a consistent number of positive opinions.

Online forums (e.g., Reddit) often feature polarised fan/anti-fan reactions. Comments like “The VFX are amazing, but the story is childish,” “The love elements are too strong, and the structure is weak,” and “It works fine as light entertainment” are frequently seen.

Reasons for the Discrepancy

The emphasis on “showstopping” elements like visuals, direction, and world-building resulted in relatively weaker scriptwriting, structure, and character development, sacrificing the “story coherence” and “thematic depth” valued by critics. Conversely, many viewers found value in the entertainment fusion of “overwhelming VFX” and “mythology + fantasy + romance,” creating this divergence in evaluation.

Review Trends and Key Comments by Platform

IMDb (International Audience Reviews)

  • Strengths frequently cited include “staggering VFX,” “massive scale,” and “the tangible sense of building the Astraverse.”
  • The repeatedly pointed-out weaknesses are “weak script,” “logical leaps and sloppy pacing,” and “clichéd dialogue.” Criticism is particularly harsh regarding the romantic elements and love story.

Rotten Tomatoes

  • Critics: While praising the “grand vision” and “ambition and sense of scale,” many strongly criticise the “weak script, dialogue, and character development.”
  • Audience: Positive reactions include “the story feels convenient” and “the setting is a bit rough, but the highlights are fun.” Praise centres mainly on the VFX, music, and action.

Influence of Genre, Release Context, and Structure

  • Genre: Fantasy × Action × Romance × Mythology. ── Structured as pure “entertainment” featuring massive visuals and battles of superpowers, it’s a quintessential audience-oriented fantasy film.
  • World-building and Series Potential: The first chapter of the “Astraverse,” a central franchise concept. It fuels audience anticipation for sequels but also creates a structurally unstable foundation when viewed as a standalone film.
  • Production Background: Years of development, a massive budget, and extensive VFX investment. It makes it highly susceptible to praise as “Indian cinema scaling up” or “a challenge to Hollywood-style spectacle.”
  • Root of Weaknesses: Underdeveloped script and dialogue, lack of character depth. Particularly in the romantic elements and interpersonal relationships, it lacks emotional resonance and conviction.

Overall Assessment: For Which Audience and Its Limitations

“Brahma Stala” represents a bold endeavour to translate Indian mythological motifs into a modern superhero narrative with visual grandeur. In this sense, it merits recognition as a work that expanded the horizons of Indian cinema. Audiences seeking “to enjoy VFX on the big screen,” “to experience an adventure blending mythology, fantasy, and action,” or to find appeal in its setup and worldbuilding as a prologue to a sequel.
Conversely, audiences prioritising “script coherence,” “character depth,” and “structural narrative completeness”—especially those with a critical eye—are unlikely to find it satisfying. The heavy romantic elements and “childish” direction frequently undermine the film’s weight and depth.

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