A Staggering Time Paradox Condensed into 97 Minutes. Many stories have tackled time paradoxes, but 'Predestination' truly stands out. In just 97 minutes, it packs in more surprises than the trailer lets on. It's best enjoyed if you go in knowing as little as possible. The film smoothly shifts from thoughtful human drama to a fast-paced series of events. Its mix of retro costumes, futuristic gadgets, and unique makeup gives it a look you won't forget.

The new film cuts back on some of the annoying elements from the first movie, such as forced crises and weak defenses, but retains the Purge setting. This installment feels more expansive, and its satisfying ending makes it highly entertaining. The characters stand out: the deranged driver, the zealot woman, the mafia exploiting the Purge, and the rich treating it as a game. Sustained survival tension makes this an especially entertaining survival film.

Made by the same studio as "Underworld," I, Frankenstein has a similar dark vibe, but it puts more emphasis on action than on horror. This movie is fast-paced and full of action, so there isn’t much time to take in every part of the story. I was glad to see that Frankenstein’s backstory stuck closely to the original, without any strange changes. The production quality and CG were impressive. I also enjoyed the Gargoyle character, which had a fun, exaggerated style that reminded me of stories I liked in middle school.

Tom Cruise is back in Top Gun: Maverick, bringing thrilling fighter jet action and plenty of drama. The film has everything fans love about action movies. From intense aerial battles to Maverick’s journey as a mentor, every scene packs an emotional punch. The music, including Kenny Loggins' classic "Danger Zone" and Lady Gaga’s new theme, adds even more excitement and makes the experience unforgettable.

The film struggled to build tension, and Suzuki, the main character, didn't stand out. It almost felt like his role could have been left out, since he barely made an impact on the story. The characters mostly acted independently. Although the synopsis suggests their stories converge, the ending felt unnatural and forced, lacking a genuine sense that everything was meant to connect.

The 2007 film brought Japan's Transformers toys back to life in Hollywood. With Steven Spielberg producing and Michael Bay directing, the movie utilized advanced CGI and thrilling action to transform a once-unfilmable idea into a global hit. Audiences loved seeing vehicles change into robots, and the story of a regular high school student saving the world gave it a timeless charm. Its fun style and impressive sound made it the beginning of a much-loved series.

After the first half hour, the film keeps you on edge with nonstop suspense. Still, the child character sometimes makes choices that feel off, which, even though it's a common storytelling trick, pulled me out of the moment. Occasionally, news reports cover riots or attacks involving corporate buildings and government officials. This film prompts viewers to consider what such chaos might be like firsthand. The depiction is grounded and unsettling, creating a strong sense of realism.

Five men and women are trapped in an elevator. A murder occurs in the sealed elevator, leaving them unable to escape. Then, suddenly, another murder happens. The killer is among them, and everyone is consumed by suspicion. Blaming the murders on demons might seem too simple, but the film makes great use of the elevator setting to explore guilt and suspicion. The way the characters interact maintains high psychological tension throughout. Fans of American dramas like The X-Files or Supernatural will likely enjoy it. It feels more like a two-part extended episode than a single one.

From the start, you wonder why he’s driving alone and what leads him to make such questionable choices. The ending is somewhat abstract, so it may not appeal to everyone. Tom Hardy's acting is outstanding. Even though he only talks to others by phone while driving, you can easily picture the people on the other end. Holding attention for 80 minutes alone in a car must have been tough, but the film remains gripping throughout.

The story follows a séance in a haunted house with a mysterious and troubled past. As the characters try to protect themselves from spirits, things don’t go as planned and tension builds. Rather than pure horror, the film feels more like a suspenseful thriller, with a mix of about 30% horror and 70% suspense.