In the middle of the DC Universe’s chaos, a new kind of savior appears. Black Adam isn’t your typical hero; he’s an antihero who stands firm and doesn’t apologize for his actions. While the script and characters have some rough spots, Dwayne Johnson’s strong performance, exciting action scenes, and the interesting JSA members come together to make a movie that’s more entertaining than expected. If you want pure action and excitement instead of deep storytelling, this film is a great choice.

The DC superhero film The Flash faced many delays and controversies. Its production was difficult, with director changes, Ezra Miller’s scheduling conflicts due to work on the Fantastic Beasts series, filming stops because of COVID-19, and, most notably, the lead actor’s repeated legal issues. Even so, the film was finished with a $200 million budget and stands as the unofficial end of the DC Extended Universe. At the same time, it acts as an important link to the new DC Universe. Director Andy Muschietti, known for showing young characters growing up in the two-part IT series, takes inspiration from the classic DC Comics story Flashpoint. He gives the story a […]

The film “The Meg” revitalizes the shark movie genre by reintroducing the ancient Megalodon. Jason Statham delivers an energetic performance that matches the film’s large-scale oceanic setting. The straightforward storyline, minimal dramatics, and the inclusion of an international cast, such as Li Bingbing, provide the excitement expected from a shark movie.

Director Zack Kreger, who made ‘Barbarian,’ returns with a bigger-budget film. This horror mystery tells the story of 17 children who vanish from their class at 2:17 AM, with the truth revealed from different viewpoints. The film uses a tense, non-linear structure, an unsettling mood like Us and Hereditary, and explores social themes in the style of Jordan Peele. While some viewers are split on the ending, the script and direction have earned strong praise. Blending horror, suspense, and mystery, WEAPONS stands out as a must-see film for 2025.

Blue Beetle brings a lesser-known DC hero to the screen, telling a warm family story that blends Latin culture with eye-catching suit design. Although it shares some familiar elements with Iron Man and Spider-Man, its cultural focus and impressive effects make it unique.

Among Makoto Shinkai's works, which often feature tragic love stories, this film concludes with a happy ending, leaving the viewer with a sense of happiness. The promotional video led me to expect a gender-swap romantic comedy, but the film turned out to be a heartfelt coming-of-age love story. Still, it features the beautiful backgrounds Shinkai is known for, from rural scenery to city skyscrapers, pulling viewers into his world. As a result, this is a film crafted to appeal to a broad audience in the best sense, one that anyone can find moving and enjoyable.

The new film cuts back on some of the annoying elements from the first movie, such as forced crises and weak defenses, but retains the Purge setting. This installment feels more expansive, and its satisfying ending makes it highly entertaining. The characters stand out: the deranged driver, the zealot woman, the mafia exploiting the Purge, and the rich treating it as a game. Sustained survival tension makes this an especially entertaining survival film.

Made by the same studio as "Underworld," I, Frankenstein has a similar dark vibe, but it puts more emphasis on action than on horror. This movie is fast-paced and full of action, so there isn’t much time to take in every part of the story. I was glad to see that Frankenstein’s backstory stuck closely to the original, without any strange changes. The production quality and CG were impressive. I also enjoyed the Gargoyle character, which had a fun, exaggerated style that reminded me of stories I liked in middle school.

Five men and women are trapped in an elevator. A murder occurs in the sealed elevator, leaving them unable to escape. Then, suddenly, another murder happens. The killer is among them, and everyone is consumed by suspicion. Blaming the murders on demons might seem too simple, but the film makes great use of the elevator setting to explore guilt and suspicion. The way the characters interact maintains high psychological tension throughout. Fans of American dramas like The X-Files or Supernatural will likely enjoy it. It feels more like a two-part extended episode than a single one.

From the start, you wonder why he’s driving alone and what leads him to make such questionable choices. The ending is somewhat abstract, so it may not appeal to everyone. Tom Hardy's acting is outstanding. Even though he only talks to others by phone while driving, you can easily picture the people on the other end. Holding attention for 80 minutes alone in a car must have been tough, but the film remains gripping throughout.