The film “ZAKUROZAKA NO ASAUCHI,” starring Takashi Nakajima and Hiroshi Abe, examines the complexities of human conflict and the pursuit of revenge during the late Edo period, using these as a lens to question enduring personal beliefs and pride. This central theme serves as the core argument, as the film challenges viewers to reconsider the meaning of conviction and honor in the face of societal upheaval. Period dramas like this one not only provide moving stories but also encourage deep reflection on historical values and the lasting impact of change.
The main character, played by Kiichi Nakai, is torn between his pride as a samurai and his role in the new era, and his inner feelings are delicately portrayed.
Original Work
This work is a short story by Jiro Asada, a prolific author of historical novels. It was published in the February 2002 issue of Chuo Koron (Chuo Koron Shinsha) and is included in the short story collection Gorouji-dono no Oshimatsu.
This work is a short story by Jiro Asada, a prolific author of historical novels. It was published in the February 2002 issue of Chuo Koron (Chuo Koron Shinsha) and is included in the short story collection Gorouji-dono no Oshimatsu.

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- 新装版 五郎治殿御始末
It vividly depicts the beliefs of samurai during the specific period of the end of the Edo period and the transformation of values brought about by the new era. Director Yoshihiro Nakamura’s film adaptation respects the profound themes of the original work while incorporating a sense of realism and new perspectives unique to film, bringing the story back to life in the present day.
Revenge in the Edo Period and Historical Context
The movie “ZAKUROZAKA NO ASAUCHI” is set in a time of great social change, from the end of the Edo period to the Meiji era.
The story begins in the Edo period, and for the protagonist, Shimura Kingo (played by Nakajima Kazuya), “revenge” was a crucial act to avenge the honor of his lord or family members who had died. It was not merely an act of vengeance, but a demonstration of his existence as a samurai, and behind it lay deep psychological conflict.
However, the “revenge” in this story is different. As Shimura Kingo spends 12 years pursuing Sabashi Jubei (played by Abe Hiroshi), who took the life of his lord, the story portrays the difficulty of breaking the cycle of revenge, as well as the profound sorrow and loneliness that come with being human.
Main Characters and Relationship Chart
The protagonist and the character planning the revenge intertwine, unfolding a complex human drama. The story primarily follows Shimura Kingo (played by Nakajima Kazuya) as he searches for Sabashi Jūbei (Naoki) (played by Abe Hiroshi), whom he suspects of murdering his lord. The relationships between the main characters serve as emotional triggers for the audience, particularly when themes such as seppuku and revenge are intertwined.
Visual Beauty and Impression
The visuals created by director Setsuro Wakamatsu are remarkable for their consistently beautiful quality. In particular, the scene of the Sakurada Gate Incident is breathtaking. The fierce battle in the falling snow brings out the samurai’s passionate beliefs and tragedy in the cold scene, leaving a strong impression on the viewer. Such visual beauty is not merely a backdrop, but an important tool that eloquently tells the story of the characters’ destinies and emotions.
Additionally, the performances of lead actors Nakajima Kazuya and Abe Hiroshi seamlessly blend with this visual beauty, adding depth to the work. The conflicting beliefs of the characters they portray, combined with the powerful visual expression, stirred the emotions. Their performances not only followed the story of a historical drama but also conveyed the inner worlds of their characters through the visuals.

The Meaning of Life Questioned by Revenge
This work is a profound human drama that goes beyond a simple tale of revenge. The protagonist, Shimura Kinkuro, dedicates his life to avenging his lord’s death. However, as the era changes and the morality of revenge is questioned, he reexamines the meaning of his own existence through encounters with various people. The act of revenge deeply influences his identity and values, forming the core of the story.
The change in the spirit of bushido from the Edo to the Meiji period
The film “ZAKUROZAKA NO ASAUCHI” vividly depicts the change in the spirit of bushido during a turbulent era. In the Edo period, loyalty to one’s lord and maintaining one’s honor were considered the way of life for samurai. However, as the story progresses, the Meiji Restoration dismantles the samurai class, causing values to shift dramatically.
The protagonist of this film attempts to exact revenge in accordance with the old samurai code, but the passage of time forces him to adopt a different way of life. This conflict symbolizes the pride of a samurai and the individual’s struggle to adapt to a new era. The film poses the question of what beliefs should be upheld even as the samurai code becomes hollow, prompting viewers to engage in deep reflection.
This work explores universal themes that the Japanese have cherished, including loyalty, family love, and bushido. The story of people who lost their samurai status in the new Meiji era but still tried to uphold their beliefs offers many insights for us living in the present day. This work not only provides an opportunity to reexamine history and culture but also poses universal questions about how to live in difficult times.

Positioning and Comparison in Revenge Films
Films with the theme of revenge form an important genre in Japanese period dramas. However, the way they are portrayed varies greatly depending on the era and director.
In classical revenge films, the themes often revolve around the loyalty of samurai and the justification of revenge, often portrayed as tales of rewarding good and punishing evil. On the other hand, “ZAKUROZAKA NO ASAUCHI” is distinctive in that it relativizes the act of revenge within the context of changing times.
Set against the backdrop of the turbulent Bakumatsu period and the pivotal moment of the Meiji Restoration, the protagonist’s mission of revenge appears to lose its significance over time. This film, which delves deeply into the theme of how humans live their lives through the act of revenge rather than the act itself, occupies a unique position within this genre.
For example, while the well-known “Chushingura” depicts the collective and normative actions of samurai who uphold their loyalty to their lord, “ZAKUROZAKA NO ASAUCHI” focuses on the inner conflict of a single samurai caught between his personal mission and the flow of history. This allows the audience to experience the film not merely as a historical narrative but as a universal human drama.
Summary: Questioning the way of life of the samurai across the ages.
The movie “ZAKUROZAKA NO ASAUCHI” begins with the Sakurada Gate Incident and depicts the story of Shimura Kingo, a samurai who spends 12 years seeking revenge for his lord. However, this movie is not just a revenge story.
As Edo transitions to Meiji, Kinkuro, stripped of his samurai status, wrestles with traditional values in a new era. The director’s visuals highlight the snowy battle and the characters’ internal struggles.
The themes of loyalty and revenge are explored as the film’s main argument, set against a backdrop of societal shift. By focusing on the solitary struggle and convictions of a samurai, the film urges audiences to consider the universal question: “What makes life meaningful?” Compared to other revenge films, this drama invites contemplation not only on moral dilemmas but also on personal purpose amid change.