Superman is the first film in the new DC Universe, marking a big shift from the old DC Extended Universe. Director James Gunn offers a bold new take, blending his talent for character-building—seen in Guardians of the Galaxy and The Suicide Squad—with sharp observations about today's world. The film is fast-paced, matching the visual style popular on platforms like TikTok. Its message, “kindness is the new punk,” challenges viewers worn out by superhero movies to consider: What truly defines Superman?

Director Shigeyasu Yaguchi, known for youth comedies like “Water Boys,” surprises fans with the horror film “Dollhouse.” Attracting Masami Nagasawa with its unique script, the film blends genuine scares with Yaguchi’s trademark humor. The 110-minute runtime delivers a sharp mix of eerie Japanese doll imagery and compelling mystery, earning the Grand Prix at the 45th Porto International Film Festival.

This film skillfully adapts the Broadway musical Wicked, focusing on the hidden friendship between the “Wicked Witch” and the “Good Witch” from The Wizard of Oz. The film's central argument is its exploration of discrimination and prejudice through the evolving relationship of these two characters. While entertaining and emotionally powerful, its true significance comes from how it addresses serious social issues. The climactic “Defying Gravity” sequence stands out in the history of musical film.

The Spanish horror series REC reaches its final chapter. REC 4: Apocalipsis concludes reporter Ángela Vidal's (Manuela Velasco), who has been the main character since the first film. This time, the story moves from an apartment to a military ship at sea, bringing new kinds of horror and despair. The film uses less POV and more traditional camerawork, drawing mixed reactions. Still, its focus on Ángela’s growth and the story’s human element stands out. It’s a must-watch for horror fans and series followers.

Ryan Coogler, best known for Black Panther and Creed, takes on his first major project with a completely original screenplay, not based on real events or existing stories. Sinners is a creative film set in 1932 Mississippi, mixing blues music with vampire horror. The movie has two sides: the first half is a lively musical filled with blues, and the second half shifts into a vampire horror story. Underneath, the film shows deep respect for Black culture and offers a strong critique of white society's cultural appropriation. It strikes a careful balance between entertainment and meaningful social themes. Those who know the history of African American music and the blues will appreciate it even more. To get the most out of this film, it's best to watch it with high-quality sound. The blues music and its emotional depth come through most clearly with good audio equipment.

Jurassic World Rebirth was written by David Koepp, who also wrote the original Jurassic Park, and directed by Gareth Edwards, known for his work on Godzilla and Rogue One. With such a strong team, expectations were high, but the movie turned out to be the weakest in the series.

This film stands out by moving away from the found-footage style of the first two movies, adopting a more traditional approach and adding comedy. The way a beautiful wedding turns into chaos is memorable, especially when the heroine grabs a chainsaw in her wedding dress. While it may not reach the same level of tension or polish as the earlier films, director Paco Plaza’s bold choices are worth noting. Horror fans will still enjoy this as part of the series.

Often called the peak of found-footage horror, this film is made entirely from television footage. With a real TV reporter as the lead, it feels incredibly real, combining careful use of space and nonstop tension to keep you on edge. In just 78 minutes, it covers every modern horror element. It stands out as a top zombie film while also leaving occult mysteries open, letting your imagination fill in the gaps. This is a true masterpiece.

The most excellent fantasy story of the 20th century, once thought impossible to film, finally made it to the big screen. The Lord of the Rings: The Fellowship of the Ring is more than just entertainment—it's a landmark film that changed the history of cinema. With New Zealand’s stunning scenery, groundbreaking visual effects, and deep human drama, the film earned 13 Academy Award nominations and won 4. Games like Dragon Quest, Final Fantasy, and The Legend of Zelda all trace their roots back to this story.

The showdown with Smaug, the final boss of Part 2, was surprisingly brief. It was resolved early on, and the protagonists weren't even involved in the conclusion. But what really feels unsatisfying is Thorin’s character. The noble character we saw in Part 2 suddenly turns arrogant as soon as he gets his wealth back. There’s no real psychological build-up. Thorin doesn’t even defeat Smaug himself. The moment he gets his gold, he becomes arrogant. It feels out of character for the main hero. Why? That question sticks with you. The reason given is “dragon sickness.” So it really was a sickness? But the film never clearly shows how he got sick or how he overcame it. As soon as he recovers, he rushes straight into a massive orc army. It feels more reckless than heroic. It doesn’t have the same bold energy Aragorn showed when he led the Ringwraiths to the rescue in the earlier film. This last film left me feeling uneasy.