The harshness and beauty of the wilderness winter when the American old-growth forests were still alive were fully expressed in this film. The constant snowstorms, the clear blue sky and air after the snow subsided, and even the coldness of the water were all conveyed to the viewer through this film.

It is the third installment of Branagh’s version of the Poirot series! This time, the case combines the previous mystery + horror elements.
Both the first and second installments of the Branagh version of the Poirot series were very elegant in their setting. This installment is set entirely in mid-20th-century Venice, but the case and the building in which it takes place are old Western-style houses, adding a horror element to the series.

Gareth Edwards directs this film and is familiar to audiences from 2014’s GODZILLA Godzilla and Star Wars Rogue One. In a typical Gareth Edwards film, adults and children travel incessantly through uncharted territory. This film has an atmosphere similar to Monsters: The Extra-Terrestrial.

The film was thought to be a festive film with all the Avengers and all the heroes, but it was also a glimpse into the struggles of each of the heroes.

Rather than the panic action from the previous film, it is better to think of it as a confinement or a suspense drama in a closed space.

I was Tobey Maguire’s Spider-Man, Andrew Garfield’s Spider-Man, and Tom Horizon’s Spider-Man.
Experiencing their stories in real-time, I was drawn into the emotional depth of each Spider-Man. The narrative always had the potential to start anew, and this film, with its heartfelt moments, left me with a profound sense of gratitude.